Share to your favorite social sites right from the app and work across iPhone and iPad. Powerful tools let you quickly create videos that look and sound professional, just how you want. Otherwise, Premiere Rush is included free with the Creative Cloud, Premiere Pro single app, or available for $9.99/month to individuals, $19.99/month to teams, and $29.99/month to enterprise customers.Feed your channels a steady stream of awesome with Adobe Premiere Rush, the all-in-one app for creating and sharing videos - fast and easy. If I can find adequate bandwidth in Las Vegas for uploading, which is always a challenge, my NAB interviews this year will be coming to you from my iPhone, courtesy of Adobe Rush.Īdobe lets you try Premiere Rush via a starter plan that includes both desktop and mobile apps and the ability to create unlimited projects and export up to three. I tested with a 2.5-minute project, adding titles, a bit of color correction, and some audio effects, and it took only 90 seconds to render on my iPhone. Once you’re done, you can render a local video file using simple templates and automatically upload the file to YouTube, Facebook, Instagram, and Adobe Behance. Editing the same project in the desktop version of Premiere Rush Between the precision color adjustments, the functional audio features, and the MOGRT titles, you can produce very high-quality and professional-looking output on any compatible smartphone or tablet.įigure 6. But, don’t feel that you have to though it will be faster and easier to edit on the desktop, you have most of the same functionality on your mobile device. Transform controls over the picture-in-pictureĮven better, if you want to perfect your clip on the desktop, you simply run Rush on your computer and if you’ve saved the project to the Adobe Creative Cloud, it’s there waiting for you ( Figure 6, below). Other adjustments include simple transitions and clip speed adjustments.įigure 5. Still, you get pixel-accurate scaling, cropping, positioning, and feathering controls, enabling effects like those shown in Figure 5 (below). Transform controls are extensive if a bit clunky, primarily because you can’t manually position the picture-in-picture video when editing with a smartphone, you have to use numerical controls (you can manually drag the clips in the computer version). Audio controls include ducking for dialogue and vocal enhancement. I tried reducing echo and enhancing speech in my test project which worked very well.įor music, you can elect to Auto Duck for dialogue, which you can see working on the Garage audio track in Figure 4 (below).įigure 4. You can also Reduce Background Noise, Reduce Echo, and elect to Enhance Speech, which seems to apply a touch of audio compression to make the voice more distinct. For voice, you can select Balance Sound to normalize the volume within the clip. With all types of audios, you can enable Auto Volume which normalizes the volume for all clips added to the project. Rush automatically detects whether the audio is voice, music, or other, with different adjustments available for each. You can record audio directly to the timeline or add music and other clips. The bottom line is that you get almost as much control in Rush as you do in Premiere Pro, absent the scopes, of course.Īudio controls are equally fabulous. Though you can’t copy and paste color adjustments from one clip to another, you can save a custom preset which is almost as convenient. You can choose between a number of filter presets (Cinematic, Film, Noir) or adjust the intensity, exposure, contrast, highlights, shadows, temperature, tint, vibrance, saturation, and sharpening, and add a vignette effect with feathering.
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